On location

Happy New Year!

Well, I remembered to record all the details of this shot so here goes:

Strobe camera right on 8th power, widest zoom, about 6 - 8 feet away - should have used an umbrella but it was so cold we didn't bother..;

Strobe camera left on 16th + 0.7 (precise, eh?), widest zoom, same distance away, slightly to the rear of subject/model/wife;

Camera 400 iso, 1/80th sec, f5.6.

This is shot on Painswick Beacon, Gloucestershire - five minutes drive from our house. The wind chill was severe and my ears are just recovering. As you can see, my wife didn't want to wear the bikini I asked her to model - what a primadonna.

Quiet Time

This shot was taken during the same session as the previous post, with the same settings, but I played around in Photoshop this time, adding a texture borrowed from Flickr user NinianLif.

Blue

Today we used my Lastolite Hilite backdrop and aimed a 128th power flash at it (from the left) with a blue gel attached, zoomed out to 24mm, to get this 'graduated' blue background.  We were then left with just the one flash to light up the long-suffering Nicky, so I snooted it, put it up high on the right (on about 64th power I think....sorry...) and aimed it at her face only. Again I used the 1.8 lens for shallow depth of field. This is the result.

I think Nicky would have liked it if I could have used one more light to take away the nose shadow, but hey, that's hundreds more pounds...

Working late

I'm quite pleased with this one - it's been done before but you have to emulate others and then add your own touches in order to learn.

Snooted flash camera left with red gel pointing at laptop and table, 128th power, flash on laptop keyboard bounced against white paper on screen into model's face, 128th power, triggered by pocket wizards, aperture f1.8 so only the face is in focus.

How shallow can you get

This shot was taken with a single flash at about 64th power through a white umbrella to camera left a couple of feet away - nothing fancy, except I added a pale gold gel to the flash to warm up the skin tones just a little (Nicky is very pale at this time of year!).  Maybe I could have gone warmer but I still wanted some realism...

I also used my rather nice (and cheap) Canon 50mm 1.8 lens for that extremely shallow depth of field which gives the tree lights a lovely bokeh.  The only thing to watch out for is that neither you nor the model moves once you have your focus point!